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1961年『繁殖絵画論』-小野田實 (英語版)
paitings of propagation

Minoru Onoda

Recently I have gotten a new image through my experimental works .So I would like to give thetheoretical background of the image by enlarging it.
In the end of 1956 “Art Informel”was introduced into Japan througn the exhibition named“Today ’s Art of the world”. Since then Japanese art-world has been occupied by the tendency toward the movement of“Art informel”or“Action Painting”.This tendency whichhas been easily tied to the temper of japanese has made our painting take on the aspect of so-calle“japanese”Fauvism. In this sence“Art Informel”,which originated in the Occident, lost the original meaning of the denial or the rebel, continued only as an officially acknowledged, safe method.“Action Painting”, which introdused the action as a different nature as the way of innovating image, lost the primary meaning in the flood of paintings that only showed the emission of physiological energy. No sooner the works of Antoni Tapies had been introduced info Japan than paintings whose surfaces lookd like the wall increased. It seems as thougn artists took the thickness of surface for the depth of mind.The old-fashioned dark expression putting on airs of higher vagabond, the heavy matiere, emotional lukewarmness, gloomy atmosphere; were they all brought about by the characteristic based on Japanese climate?
My late works were cynical criticism and sneer to those tendencies. Then one image that innumerable same things mechanically propagate, chermed my idea.
What intereated me most was mass production in the automated factory; its countless sameness.
If you see the vacuum tubes, which have been produced every day in great quantity, as just only innumerable accumulation of material, without recognizing their purpost of being used for receiving sets, you must feel astonished by the enormous amount of meaninglessness.
Once surrealism used depaysement as a method of causing surprise. On the other hand, I have tried to get a new image through giving order to the innumerable same things.
In order to realize this image I have selected the way of using innumerable circles and lines.
Since than I have called the“Watashino-maru(my circle)”. Those sizes will change according to the lines under the perspective order. You are able to see the picture from all directions you like. “Watashino-maru”will extend out of the picture not only to the wall and ceiling but to the road or the car. My circle, wherever I paint it, will become my work. So I gave the name “Paintings of Propagation”to them, however, as a matter of fact, they did not have such organic impression as propagation, but had empty, hard-boiled, and mechanical image. With the greedy mind of eating machines, it is necessary to stand the “senselessness”so as to thrust“Non”to the World new we are living in.
Looking up at the sky vacantly, I dream this sky and the world will be filled completely with “Watashino-maru”.

from (“Himeji-bijyutu”vol.1, December 1961)

work1961作品61-11

WORK1961-11


〇小野田實の言葉( Words of Onoda Minoru)

1964年 『ルナミ画廊 選抜展』(東京・銀座)-小野田實
(Extract from invitation letter of Select exhibition in Lunami Gallery (Ginza, Tokyo), October 21-26th, 1964)
http://onodart.blog94.fc2.com/blog-entry-97.html

1966年『現代美術の新世代』展出品作家へのアンケート-小野田實
(Answer to the question “What is the base of executions for your ideas?” at New Generation of Modern Art Exhibition, 1966)
http://onodart.blog94.fc2.com/blog-entry-92.html

1966年 『美術ジャーナル』-小野田實
(Art Journal No.57, April issue, published by Bijutsu Journal co., ltd. 1966)
http://onodart.blog94.fc2.com/blog-entry-93.html

1974『朝日ジャーナル』 -小野田實
(Asahi Journal, 1st of March, 1974, “The Word Of Cover Works 73-9r” published by Asahi news paper)
http://onodart.blog94.fc2.com/blog-entry-91.html

1979年「グタイと私」  小野田實
(“Special Exhibition for Yoshiwara Jiro” and letter of GUTAI, Hyogo prefectural Museum of Modern art, June 5-28th, 1979)
http://onodart.blog94.fc2.com/blog-entry-134.html

1988年 『グランクール』 小野田實
(From Interview for “Grand Court” booklet edited by Town Himeji)
http://onodart.blog94.fc2.com/blog-entry-87.html

1990年 石彫モニュメント制作にあたって 小野田實
(At making a stone relief monument, 1990)
http://onodart.blog94.fc2.com/blog-entry-85.html

1997年「芦屋市展1948-1997」 小野田實
(“Exhibition in Ashiya city , 1948-1997” published by Ashiya Art Association and etc. 1997)
http://onodart.blog94.fc2.com/blog-entry-86.html

1963年 「北條の五百羅漢・その1」写真・文 小野田實
http://onodart.blog94.fc2.com/blog-entry-152.html

(Sansai ,May issue, published by Sansai-sha co., ltd. 1963)
http://onodart.blog94.fc2.com/blog-entry-151.html


〇小野田實のインタビュー オーラルヒストリー
(Oral history-Interview with Onoda Minoru)
2004年姫路市立美術館企画「小野田實の世界展」 イーグレひめじ  ギャラリートーク
http://onodart.blog94.fc2.com/blog-entry-79.html

〇小野田實について書かれたものなど(Articles written on Onoda Minoru)

1964年『美術手帖』-ヨシダ・ヨシエ(美術評論家)
Bijutsu-techo (art magazine) published by bijutu shuppan co., ltd., July issue, 1964
[Yoshie YOSHIDA, art critic・Taro Nomura,art critic]
http://onodart.blog94.fc2.com/blog-entry-98.html

1965年『小野田實個展』-ヨシダ・ヨシエ・赤根和生・黒川録朗
“Solo exhibition of Minoru ONODA” at Sanyo Shopping Center in Himeji. 15-20th of April, 1965
http://onodart.blog94.fc2.com/blog-entry-96.html

1965年 『ダイワ俊英シリーズ/第4回』 赤根和生(美術評論家)
The 4th of DAIWA select series August of 22-31th, 1965
“Macro and Micro”Text by Mr. AKANE Kazuo,
http://onodart.blog94.fc2.com/blog-entry-81.html

1965年-「マル」の行為者-『現代美術』6号 -赤根和生(美術評論家)
Feature article “The man of tomorrow” 4 ONODA Minoru, June, 1965
“Maru Actor” text by Akane Kazuo, art critic
Gendaibijutu (art magazine) published by Sansai-sha co., ltd., June issue, 1965
http://onodart.blog94.fc2.com/blog-entry-95.html

1966年 ダイワ俊英シリーズ-赤根和生(美術評論家)
The 4th of DAIWA select series August of 22-31th, 1965
“Macro and Micro”Text by Mr. AKANE Kazuo,
http://onodart.blog94.fc2.com/blog-entry-94.html

季刊 熟年の窓 no.3 新日本ジャーナル (there’s no English translation)
http://onodart.blog94.fc2.com/blog-entry-82.html

1988年 アートカイト-
Art kites, 1988, text from book “Art kites, Kunstdrachen, 1988,
 published by Osaka German Culture Center
http://onodart.blog94.fc2.com/blog-entry-89.html

2004年創造精神 変幻自在-三上貴美男
Creative Spirit ! Kaleidoscopic !
"The thing which I have never seen ".
"Even now I can start from Zero every time my style changes "." Do what nobody ever done "
[KOBE newspaper. Mikio MIKAMI]
http://onodart.blog94.fc2.com/blog-entry-132.html

2006年 文化情報・姫路12月号(there’s no English)
http://onodart.blog94.fc2.com/blog-entry-84.html

「私のマル」-小野田實とその作品  姫路市立美術館学芸員 平瀬礼太
"Watashino-Maru (My Circle)”- Minoru Onoda and his works
http://onodart.blog94.fc2.com/blog-entry-130.html
 
2012年脚光を浴びる「具体」=高階秀爾
Creative spirit still vividly travels. Eye Says“art rambling” of July article, Mainichi Shimbun , July 11th, 2012
http://onodart.blog94.fc2.com/blog-entry-133.html

2012年 今 「マル」の時代 ! 朝日新聞
Now ,「Maru」time ! Exhibition at Tokyo and NY ! [ASAHI newspaper. Takumi Fujii]
http://onodart.blog94.fc2.com/blog-entry-131.html


【2007/03/06 00:24】 | 作品解説-Description | page top↑
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